双语：2014年度十大最佳电影（TOP1-TOP5）

2014年度最佳电影TOP10 （2）：TOP1~ TOP5

5.Goodbye to Language 《再见语言》

In a banner year for 84-year-old visionaries, Jean-Luc Godard issued his first 3-D feature, a skeptical phantasmagoria that proves the unstoppable innovative verve of the auteur who set movies on their modernist course with his 1960Breathless. When most other directors stopped modernizing, Godard went further, into a film-essay form that lays his cantankerous ideas about life, love, politics and film history over the smidge of a story — here, the romantic debates of a youngish, often nude couple (Héloise Godet and Kamel Abdeli). As if he were making the first 3-D movie experiment, Godard shows nature in violent, supersaturated colors and, in one scene, plays with overlapping images: close one eye and see a man in the foreground, close the other and see the woman in the back. The real star is Godard’s dog Roxy, a mournful observer and a great natural actor who embodies Darwin’s observation that “A dog is the only thing on earth that loves you more than he loves himself.” This latest Godard may be hard to love, but it probes, confounds and exhilarates in equal and unique measure.

对84岁的预想家让-吕克·戈达尔来说，2014是有标志性意义的一年。这一年他推出了自己的首部3D电影《再见语言》。戈达尔1960年的电影《精疲力尽》（Breathless）奠定了法国新浪潮电影流派的基调，而幻觉效应贯穿始终的《再见语言》延续了他创新出奇的风格。如今大部分导演不再追求现代化，而戈达尔却进一步反其道而行之，创造了“电影小说”的新形式。他通过叙述一对年轻夫妇和一条狗的奇幻故事，表达了自己对生活、爱情、政治和电影历史的看法。在探索3D电影的过程中，戈达尔展现了冲突和超饱和色彩的本质，还在一个场景中运用重叠图像的手法：闭上一只眼，你看到前面有位男士；转而闭上另一只眼，你会看到后面有位女士。影片明星是那条名叫罗克西的小狗，它悲痛地旁观着一切，最佳诠释了达尔文的那句名言：“狗是世界上唯一爱你比爱它自己多的生物”。尽管戈达尔最近让人有些晦涩难懂，但他会通过独特的方式让你受益匪浅、欣喜若狂。

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4.Lucy 《超体》

Most big summer movies are handsome, muscular and dumb; in a word,Transformers. Luc Besson’s globe-trotting thriller, about a woman empowered and imperiled by the infusion of a powerful new drug into her nervous system, is different: it kicks assandtakes brains. Besson provides his usual fights and car crashes, before swerving toward a climax of Mensa movie madness in the spirit of a berserk2001. The French writer-director, who has often put women at the center of his action movies (La femme Nikita,The Professional,The Fifth Element), here creates a heroine whose rapidly expanding abilities make her the world’s most awesome weapon — in the process, promoting Scarlett Johansson from an indie-film icon and Marvel-universe sidekick to the movie superwoman she was destined to be. Taking place in less than a day, while simultaneously synopsizing three million years of human evolution in a hurtling 89 mins. of screen time,Lucyis the year’s best, coolest, juiciest, smartest action movie.

大部分暑期大片都是帅气硬汉的主场，《变形金刚》就是最好的例子。而导演吕克·贝松却在这部惊悚大片中讲述了一个年轻女人被注射入一种新型毒品，结果拥有超于常人的力量。情节引人入胜而又十分烧脑，打斗和撞车场景贯穿始终。这位法国导演兼编剧延续一贯的“女性人物主导”的动作片特色，在《超体》中塑造了一名无所不能的“女超人（斯嘉丽·约翰逊饰），堪称世上最有杀伤力的武器。影片用89分钟概述了300万年的人类进化史。《超体》无疑是2014年荧幕上最酷炫最刺激最精彩的动作大片。

3.The LEGO Movie 《乐高大电影》

The challenge to directors and cowriters Phil Lord and Christopher Miller: transform the blocky LEGO figures, with painted faces and no arm or leg mobility, into charming or rapacious characters a viewer can instantly accept and believe in. That they did. Worker drone Emmet (voiced by Chris Pratt ofParks and RecreationandGuardians of the Galaxy) gets mistaken as the Special One, the Neo of the LEGO matrix, by a cadre of underground rebels bent on overthrowing the evil President Business (Will Ferrell). “Anti-capitalist” was the phrase that Brietbart applied to this comedy about the nightmare merger of big government and predatory commerce — somehow ignoring that it’s also a feature-length commercial for the world’s largest toy company. Politics aside,The LEGO Movieis a hoot, and a beaut. Shot in a CGI format that mimics stop-motion animation, it has an aptly rough, faux-primitive look, as if some brilliant kid had made a madly elaborate home movie the whole world could love. The sequel comes in 2018.

对于导演兼编剧菲尔·罗德和克里斯·米勒来说，最大的挑战无疑是如何将乐高中积木般毫无灵活性的角色变成魅力四射的人物，并被大众广为认可。2014年他们做到了！该影片讲述了一个普通乐高小人艾米特（克里斯·帕拉特配音）被错当成了“大师建造者”而加入进一支地下反抗组织，力图阻止乐高世界邪恶暴君“商业总统”的阴险计划。这一喜剧动画片打着“反资本主义”的口号来反映政府兼并和掠夺式商业——似乎制作商忽视了一点：影片也映射到这个世界上最大型玩具公司自己的商业运作。该影片运用定格动画技术，呈现了一种“粗制”和“仿”原始的风格，仿佛是几个聪明的小孩子自己制作的家庭影片，但却得到了全世界观众的喜爱。该片续集将于2018年上映。

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2.Boyhood 《少年时代》

In what might have been a gimmick but was really a stroke of genius, Richard Linklater began shootingBoyhoodwhen its leading actor, Ellar Coltrane, was a first-grader and each succeeding summer shot a new segment involving Coltrane’s Mason and his Texas family: mother Olivia (Patricia Arquette), father Mason Sr. (Ethan Hawke) and elder sister Samantha (the director’s daughter Lorelei). Mason’s evolving life has its difficulties but few extremities; it unfolds rather than exploding in reality-TV’s manufactured traumas. A home movie of a fictional home life, an epic assembled from vignettes,Boyhoodshimmers with unforced reality. To watch it is to page through a family album of folks you just met, yet feel you’ve known forever. This is life as most of us experience it, and which few movies document with such understated acuity. Embrace each moment, Linklater tells us, because it won’t come again — unless he is there to record it, shape it and turn it into an indelible movie.

这听起来像是耍花招，但是的确是神来之笔。编剧兼导演理查德·林克莱特历时12年拍摄此片，讲述了主人公梅森（艾拉·科尔特兰饰）从6岁到18岁的成长历程。艾拉从一年级起，每个暑假都会拍摄一段影片，包括他、姐姐和父母。主人公梅森的成长历程虽未大起大落，但困难时有发生。观看这部影片就像是你在翻阅一个你一见如故的家庭的影集。故事情节每个人都亲身经历过，但没有几部影片能如此敏锐地捕捉到这些。林克莱特用这部影片告诉我们：童年和青春一去不复返，除非像他那样精心记录下每个成长的时刻，拍摄成一部难忘的电影。

 1.The Grand Budapest Hotel 《布达佩斯大饭店》

Monsieur Gustave H. (Ralph Fiennes) flawlessly executes his job as concierge at the Grand Budapest Hotel in the Republic of Zubrowka during the political upheavals of the 1930s. Intoning romantic poetry he may have made up on the spot, he attends to the sexual whims of his rich old-lady clients; or, as he says, “I go to bed with all my friends.” Amour and mortality, romance and horror, comedy and tragedy duel to a sumptuous draw in Wes Anderson’s richtorteof a movie — perhaps the most seductively European film ever made by a kid from Houston, Texas. A dizzyingly complex machine whose workings are a delight to behold, the movie has a wry smile for frailties, a watchful eye for tyranny and a heart that, under the circumstances of this dark, fanciful tale, must be called heroic. This is not just an amazing contraption, though it is that; it’s a real, funny, sad movie, whose performances (from Fiennes, Adrien Brody, Jeff Goldblum, Tilda Swinton and dozens of others) are as alert and elegantly composed as the décor. Grand isn’t good enough a word for thisBudapest Hotel. Great is more like it.

在20世纪30年代的欧洲，古斯塔夫先生（拉尔夫·费因斯饰）尽职尽责地履行着布达佩斯大饭店看门员的职责。他一边吟诵着自己当场编造的诗句，一边幻想着和阔太太们发生一夜情。这部爱恨交加的影片出自导演韦斯·安德森之手，爱情和道德、浪漫和恐惧相互交织。这位出生于德克萨斯州休斯敦市的老顽童打造了一部堪称史上最诱人的欧洲影片。

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